Best Husband Since 1990 Vintage T Shirt
This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: A Wise Man’s Heart Goes To The Right Ecclesiastes 10 2 But A Fool’s Heart To The Left Shirt, tank top, long sleeve, sweater As part of Vogue’s Forces of Fashion virtual summit today, international editor at large Hamish Bowles invited designer Marc Jacobs over to dive into his personal archive of vintage clothing. Bowles’s impressive collection includes thousands of archival pieces by Balenciaga, Dior, Valentino, and more. “I’ve been collecting fashion since I was a little boy,” says Bowles. “I started when I was five or six.” For Jacobs, looking at the works of other leading designers never fails to ignite his own creativity. “I love fashion, so looking at these representations of fashion throughout the periods is always inspiring,” he says. The two fashion enthusiasts began by taking in a completely embroidered Coco Chanel dress from 1926. “Vogue liked it so much they shot it from the front in one issue, and from the back in a subsequent issue,” Bowles tells Jacobs of the dazzling frock. Then, it was on to some of Bowles’s favorite classic little black dresses, including a one-shouldered Cristobal Balenciaga dress from 1965, and a scoop-neck, ruffle-sleeve style by Yohji Yamamoto style from 1990. “He’s so good with a black dress,” Jacobs says of Yamamoto. As Jacobs and Bowles got deeper into the archive, they came across some more eccentric pieces. A Valentino Garavani dress from 1972, for instance, features a ruffled, high neckline and embroidered flowers. “The hands in the [Valentino] atelier are far superior than most of the other ateliers,” Jacobs says, admiring it. “I have a soft spot for this early-’70s-does-Belle-Époque nostalgia [vibe],” adds Bowles. “There’s a lot of autobiography in my collecting, I think.” They even came across a Jacobs original as well: a look he designed for Perry Ellis back in 1992, consisting of a cropped black blazer and full leopard skirt. “We called [that collection] Rock and Roll Circus, because it was inspired by the Rolling Stones,” says Jacobs. The two agreed that thoughtful design and good craftsmanship will—hopefully—live on. “Craft and skill will always endure,” says Jacobs. “It always comes back to humans and their ability to express themselves. There’s a much more primitive connection to making things by hand.” If Jacobs had to run off with one or two things from Bowles inimitable collection? It would be the aforementioned Balenciaga one-shouldered LBD, and a Gilbert Adrian stallion-print dress from 1945. “But that’s today,” quips Jacobs. “You ask me the same question tomorrow, and it would be a totally different answer.” Visit Forces of Fashion for more information about how to listen in on their conversation about this inimitable archive. Directed by Talia Collis Vogue’s Janelle Okwodu spoke to stylist and entrepreneur Karla Welch about mentorship in partnership with Porsche as part of “The Art of Drive,” followed by a discussion between British Vogue editor-in-chief Edward Enninful and Pat McGrath about McGrath’s prolific career in the beauty industry. Forces of Fashion viewers also got access to a tour of Vogue international editor at large Hamish Bowles’s extensive fashion archive with Marc Jacobs. They flipped through scores of vintage treasures and discussed the intricacies of fabric and construction—Bowles pointed out a draped Cristóbal Balenciaga dress that was ingeniously cut from a single piece of silk—and even stumbled upon a look from one of Jacobs’s early-’90s Perry Ellis collections. The day ended with a conversation between two other likeminded creatives, Billie Eilish and Alessandro Michele, moderated by Nnadi. The musician and creative director recalled their first red carpet collaborations, Eilish’s early fascination with masks (long before COVID made them a health requirement), and their shared passion for constant change and transformation. An image of Eilish’s June 2021 British Vogue cover flashed on the screen; when it was revealed in May, it prompted headlines about her “new look” and sparked outrage from people who preferred her “signature” style. “When the cover came out, I knew what everyone would say, but I didn’t care because the whole point was to prove that I can be whatever I want to be, and I’m not going to conform to something I used to be, or something you want me to be,” she said. Michele was quick to concur: “I totally agree.” You can watch their full conversation and the rest of today’s panels starting tomorrow on Vogue’s Forces of Fashion website. Until then, catch up on yesterday’s conversations here. Forces of Fashion is Presented by Porsche Billie Eilish and Gucci’s Alessandro Michele are practically kindred spirits. Many of the musician’s most memorable outfits were made in concert with the creative director, including the two mesmerizing looks she wore to the Grammys in March. “The process is very natural,” says Eillish, who spoke with Michele for Vogue’s Forces of Fashion conference this year. It’s a sentiment that is echoed by him. “We share a lot of things, maybe more than what we talk about, secret things, and that’s beautiful,” he says. For their talk, Eilish and Michele reveal the secret sauce to their creative connection which, according to Eilish, is often heightened by casual late night chats. “Because of the time difference, we end up talking at midnight,” explains the musician, who is based in Los Angeles while Michele is in Rome. Regardless of physical distance, these two are undoubtedly on the same plane as creatives and there’s tons on the agenda here. Hear them discuss the changing landscape of gender politics in fashion, their shared love of subversive style statements—as Michele points out, Eilish’s long-standing penchant for wearing masks was a harbinger of things to come—the story behind Eilish’s spellbinding transformation, and that awe-inspiring British Vogue cover. Head over to Forces of Fashion for more information about how to listen in on their conversation and the other speakers—John Galliano, Demna Gvasalia, and Marc Jacobs to name a few—on the lineup. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: https://friendst-shirt.com This product belong to nhat-tuan Best Husband Since 1990 Vintage T Shirt This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: A Wise Man’s Heart Goes To The Right Ecclesiastes 10 2 But A Fool’s Heart To The Left Shirt, tank top, long sleeve, sweater As part of Vogue’s Forces of Fashion virtual summit today, international editor at large Hamish Bowles invited designer Marc Jacobs over to dive into his personal archive of vintage clothing. Bowles’s impressive collection includes thousands of archival pieces by Balenciaga, Dior, Valentino, and more. “I’ve been collecting fashion since I was a little boy,” says Bowles. “I started when I was five or six.” For Jacobs, looking at the works of other leading designers never fails to ignite his own creativity. “I love fashion, so looking at these representations of fashion throughout the periods is always inspiring,” he says. The two fashion enthusiasts began by taking in a completely embroidered Coco Chanel dress from 1926. “Vogue liked it so much they shot it from the front in one issue, and from the back in a subsequent issue,” Bowles tells Jacobs of the dazzling frock. Then, it was on to some of Bowles’s favorite classic little black dresses, including a one-shouldered Cristobal Balenciaga dress from 1965, and a scoop-neck, ruffle-sleeve style by Yohji Yamamoto style from 1990. “He’s so good with a black dress,” Jacobs says of Yamamoto. As Jacobs and Bowles got deeper into the archive, they came across some more eccentric pieces. A Valentino Garavani dress from 1972, for instance, features a ruffled, high neckline and embroidered flowers. “The hands in the [Valentino] atelier are far superior than most of the other ateliers,” Jacobs says, admiring it. “I have a soft spot for this early-’70s-does-Belle-Époque nostalgia [vibe],” adds Bowles. “There’s a lot of autobiography in my collecting, I think.” They even came across a Jacobs original as well: a look he designed for Perry Ellis back in 1992, consisting of a cropped black blazer and full leopard skirt. “We called [that collection] Rock and Roll Circus, because it was inspired by the Rolling Stones,” says Jacobs. The two agreed that thoughtful design and good craftsmanship will—hopefully—live on. “Craft and skill will always endure,” says Jacobs. “It always comes back to humans and their ability to express themselves. There’s a much more primitive connection to making things by hand.” If Jacobs had to run off with one or two things from Bowles inimitable collection? It would be the aforementioned Balenciaga one-shouldered LBD, and a Gilbert Adrian stallion-print dress from 1945. “But that’s today,” quips Jacobs. “You ask me the same question tomorrow, and it would be a totally different answer.” Visit Forces of Fashion for more information about how to listen in on their conversation about this inimitable archive. Directed by Talia Collis Vogue’s Janelle Okwodu spoke to stylist and entrepreneur Karla Welch about mentorship in partnership with Porsche as part of “The Art of Drive,” followed by a discussion between British Vogue editor-in-chief Edward Enninful and Pat McGrath about McGrath’s prolific career in the beauty industry. Forces of Fashion viewers also got access to a tour of Vogue international editor at large Hamish Bowles’s extensive fashion archive with Marc Jacobs. They flipped through scores of vintage treasures and discussed the intricacies of fabric and construction—Bowles pointed out a draped Cristóbal Balenciaga dress that was ingeniously cut from a single piece of silk—and even stumbled upon a look from one of Jacobs’s early-’90s Perry Ellis collections. The day ended with a conversation between two other likeminded creatives, Billie Eilish and Alessandro Michele, moderated by Nnadi. The musician and creative director recalled their first red carpet collaborations, Eilish’s early fascination with masks (long before COVID made them a health requirement), and their shared passion for constant change and transformation. An image of Eilish’s June 2021 British Vogue cover flashed on the screen; when it was revealed in May, it prompted headlines about her “new look” and sparked outrage from people who preferred her “signature” style. “When the cover came out, I knew what everyone would say, but I didn’t care because the whole point was to prove that I can be whatever I want to be, and I’m not going to conform to something I used to be, or something you want me to be,” she said. Michele was quick to concur: “I totally agree.” You can watch their full conversation and the rest of today’s panels starting tomorrow on Vogue’s Forces of Fashion website. Until then, catch up on yesterday’s conversations here. Forces of Fashion is Presented by Porsche Billie Eilish and Gucci’s Alessandro Michele are practically kindred spirits. Many of the musician’s most memorable outfits were made in concert with the creative director, including the two mesmerizing looks she wore to the Grammys in March. “The process is very natural,” says Eillish, who spoke with Michele for Vogue’s Forces of Fashion conference this year. It’s a sentiment that is echoed by him. “We share a lot of things, maybe more than what we talk about, secret things, and that’s beautiful,” he says. For their talk, Eilish and Michele reveal the secret sauce to their creative connection which, according to Eilish, is often heightened by casual late night chats. “Because of the time difference, we end up talking at midnight,” explains the musician, who is based in Los Angeles while Michele is in Rome. Regardless of physical distance, these two are undoubtedly on the same plane as creatives and there’s tons on the agenda here. Hear them discuss the changing landscape of gender politics in fashion, their shared love of subversive style statements—as Michele points out, Eilish’s long-standing penchant for wearing masks was a harbinger of things to come—the story behind Eilish’s spellbinding transformation, and that awe-inspiring British Vogue cover. Head over to Forces of Fashion for more information about how to listen in on their conversation and the other speakers—John Galliano, Demna Gvasalia, and Marc Jacobs to name a few—on the lineup. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: https://friendst-shirt.com This product belong to nhat-tuan
This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: A Wise Man’s Heart Goes To The Right Ecclesiastes 10 2 But A Fool’s Heart To The Left Shirt, tank top, long sleeve, sweater As part of Vogue’s Forces of Fashion virtual summit today, international editor at large Hamish Bowles invited designer Marc Jacobs over to dive into his personal archive of vintage clothing. Bowles’s impressive collection includes thousands of archival pieces by Balenciaga, Dior, Valentino, and more. “I’ve been collecting fashion since I was a little boy,” says Bowles. “I started when I was five or six.” For Jacobs, looking at the works of other leading designers never fails to ignite his own creativity. “I love fashion, so looking at these representations of fashion throughout the periods is always inspiring,” he says. The two fashion enthusiasts began by taking in a completely embroidered Coco Chanel dress from 1926. “Vogue liked it so much they shot it from the front in one issue, and from the back in a subsequent issue,” Bowles tells Jacobs of the dazzling frock. Then, it was on to some of Bowles’s favorite classic little black dresses, including a one-shouldered Cristobal Balenciaga dress from 1965, and a scoop-neck, ruffle-sleeve style by Yohji Yamamoto style from 1990. “He’s so good with a black dress,” Jacobs says of Yamamoto. As Jacobs and Bowles got deeper into the archive, they came across some more eccentric pieces. A Valentino Garavani dress from 1972, for instance, features a ruffled, high neckline and embroidered flowers. “The hands in the [Valentino] atelier are far superior than most of the other ateliers,” Jacobs says, admiring it. “I have a soft spot for this early-’70s-does-Belle-Époque nostalgia [vibe],” adds Bowles. “There’s a lot of autobiography in my collecting, I think.” They even came across a Jacobs original as well: a look he designed for Perry Ellis back in 1992, consisting of a cropped black blazer and full leopard skirt. “We called [that collection] Rock and Roll Circus, because it was inspired by the Rolling Stones,” says Jacobs. The two agreed that thoughtful design and good craftsmanship will—hopefully—live on. “Craft and skill will always endure,” says Jacobs. “It always comes back to humans and their ability to express themselves. There’s a much more primitive connection to making things by hand.” If Jacobs had to run off with one or two things from Bowles inimitable collection? It would be the aforementioned Balenciaga one-shouldered LBD, and a Gilbert Adrian stallion-print dress from 1945. “But that’s today,” quips Jacobs. “You ask me the same question tomorrow, and it would be a totally different answer.” Visit Forces of Fashion for more information about how to listen in on their conversation about this inimitable archive. Directed by Talia Collis Vogue’s Janelle Okwodu spoke to stylist and entrepreneur Karla Welch about mentorship in partnership with Porsche as part of “The Art of Drive,” followed by a discussion between British Vogue editor-in-chief Edward Enninful and Pat McGrath about McGrath’s prolific career in the beauty industry. Forces of Fashion viewers also got access to a tour of Vogue international editor at large Hamish Bowles’s extensive fashion archive with Marc Jacobs. They flipped through scores of vintage treasures and discussed the intricacies of fabric and construction—Bowles pointed out a draped Cristóbal Balenciaga dress that was ingeniously cut from a single piece of silk—and even stumbled upon a look from one of Jacobs’s early-’90s Perry Ellis collections. The day ended with a conversation between two other likeminded creatives, Billie Eilish and Alessandro Michele, moderated by Nnadi. The musician and creative director recalled their first red carpet collaborations, Eilish’s early fascination with masks (long before COVID made them a health requirement), and their shared passion for constant change and transformation. An image of Eilish’s June 2021 British Vogue cover flashed on the screen; when it was revealed in May, it prompted headlines about her “new look” and sparked outrage from people who preferred her “signature” style. “When the cover came out, I knew what everyone would say, but I didn’t care because the whole point was to prove that I can be whatever I want to be, and I’m not going to conform to something I used to be, or something you want me to be,” she said. Michele was quick to concur: “I totally agree.” You can watch their full conversation and the rest of today’s panels starting tomorrow on Vogue’s Forces of Fashion website. Until then, catch up on yesterday’s conversations here. Forces of Fashion is Presented by Porsche Billie Eilish and Gucci’s Alessandro Michele are practically kindred spirits. Many of the musician’s most memorable outfits were made in concert with the creative director, including the two mesmerizing looks she wore to the Grammys in March. “The process is very natural,” says Eillish, who spoke with Michele for Vogue’s Forces of Fashion conference this year. It’s a sentiment that is echoed by him. “We share a lot of things, maybe more than what we talk about, secret things, and that’s beautiful,” he says. For their talk, Eilish and Michele reveal the secret sauce to their creative connection which, according to Eilish, is often heightened by casual late night chats. “Because of the time difference, we end up talking at midnight,” explains the musician, who is based in Los Angeles while Michele is in Rome. Regardless of physical distance, these two are undoubtedly on the same plane as creatives and there’s tons on the agenda here. Hear them discuss the changing landscape of gender politics in fashion, their shared love of subversive style statements—as Michele points out, Eilish’s long-standing penchant for wearing masks was a harbinger of things to come—the story behind Eilish’s spellbinding transformation, and that awe-inspiring British Vogue cover. Head over to Forces of Fashion for more information about how to listen in on their conversation and the other speakers—John Galliano, Demna Gvasalia, and Marc Jacobs to name a few—on the lineup. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: https://friendst-shirt.com This product belong to nhat-tuan Best Husband Since 1990 Vintage T Shirt This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping If you love this shirt, please click on the link to buy it now: A Wise Man’s Heart Goes To The Right Ecclesiastes 10 2 But A Fool’s Heart To The Left Shirt, tank top, long sleeve, sweater As part of Vogue’s Forces of Fashion virtual summit today, international editor at large Hamish Bowles invited designer Marc Jacobs over to dive into his personal archive of vintage clothing. Bowles’s impressive collection includes thousands of archival pieces by Balenciaga, Dior, Valentino, and more. “I’ve been collecting fashion since I was a little boy,” says Bowles. “I started when I was five or six.” For Jacobs, looking at the works of other leading designers never fails to ignite his own creativity. “I love fashion, so looking at these representations of fashion throughout the periods is always inspiring,” he says. The two fashion enthusiasts began by taking in a completely embroidered Coco Chanel dress from 1926. “Vogue liked it so much they shot it from the front in one issue, and from the back in a subsequent issue,” Bowles tells Jacobs of the dazzling frock. Then, it was on to some of Bowles’s favorite classic little black dresses, including a one-shouldered Cristobal Balenciaga dress from 1965, and a scoop-neck, ruffle-sleeve style by Yohji Yamamoto style from 1990. “He’s so good with a black dress,” Jacobs says of Yamamoto. As Jacobs and Bowles got deeper into the archive, they came across some more eccentric pieces. A Valentino Garavani dress from 1972, for instance, features a ruffled, high neckline and embroidered flowers. “The hands in the [Valentino] atelier are far superior than most of the other ateliers,” Jacobs says, admiring it. “I have a soft spot for this early-’70s-does-Belle-Époque nostalgia [vibe],” adds Bowles. “There’s a lot of autobiography in my collecting, I think.” They even came across a Jacobs original as well: a look he designed for Perry Ellis back in 1992, consisting of a cropped black blazer and full leopard skirt. “We called [that collection] Rock and Roll Circus, because it was inspired by the Rolling Stones,” says Jacobs. The two agreed that thoughtful design and good craftsmanship will—hopefully—live on. “Craft and skill will always endure,” says Jacobs. “It always comes back to humans and their ability to express themselves. There’s a much more primitive connection to making things by hand.” If Jacobs had to run off with one or two things from Bowles inimitable collection? It would be the aforementioned Balenciaga one-shouldered LBD, and a Gilbert Adrian stallion-print dress from 1945. “But that’s today,” quips Jacobs. “You ask me the same question tomorrow, and it would be a totally different answer.” Visit Forces of Fashion for more information about how to listen in on their conversation about this inimitable archive. Directed by Talia Collis Vogue’s Janelle Okwodu spoke to stylist and entrepreneur Karla Welch about mentorship in partnership with Porsche as part of “The Art of Drive,” followed by a discussion between British Vogue editor-in-chief Edward Enninful and Pat McGrath about McGrath’s prolific career in the beauty industry. Forces of Fashion viewers also got access to a tour of Vogue international editor at large Hamish Bowles’s extensive fashion archive with Marc Jacobs. They flipped through scores of vintage treasures and discussed the intricacies of fabric and construction—Bowles pointed out a draped Cristóbal Balenciaga dress that was ingeniously cut from a single piece of silk—and even stumbled upon a look from one of Jacobs’s early-’90s Perry Ellis collections. The day ended with a conversation between two other likeminded creatives, Billie Eilish and Alessandro Michele, moderated by Nnadi. The musician and creative director recalled their first red carpet collaborations, Eilish’s early fascination with masks (long before COVID made them a health requirement), and their shared passion for constant change and transformation. An image of Eilish’s June 2021 British Vogue cover flashed on the screen; when it was revealed in May, it prompted headlines about her “new look” and sparked outrage from people who preferred her “signature” style. “When the cover came out, I knew what everyone would say, but I didn’t care because the whole point was to prove that I can be whatever I want to be, and I’m not going to conform to something I used to be, or something you want me to be,” she said. Michele was quick to concur: “I totally agree.” You can watch their full conversation and the rest of today’s panels starting tomorrow on Vogue’s Forces of Fashion website. Until then, catch up on yesterday’s conversations here. Forces of Fashion is Presented by Porsche Billie Eilish and Gucci’s Alessandro Michele are practically kindred spirits. Many of the musician’s most memorable outfits were made in concert with the creative director, including the two mesmerizing looks she wore to the Grammys in March. “The process is very natural,” says Eillish, who spoke with Michele for Vogue’s Forces of Fashion conference this year. It’s a sentiment that is echoed by him. “We share a lot of things, maybe more than what we talk about, secret things, and that’s beautiful,” he says. For their talk, Eilish and Michele reveal the secret sauce to their creative connection which, according to Eilish, is often heightened by casual late night chats. “Because of the time difference, we end up talking at midnight,” explains the musician, who is based in Los Angeles while Michele is in Rome. Regardless of physical distance, these two are undoubtedly on the same plane as creatives and there’s tons on the agenda here. Hear them discuss the changing landscape of gender politics in fashion, their shared love of subversive style statements—as Michele points out, Eilish’s long-standing penchant for wearing masks was a harbinger of things to come—the story behind Eilish’s spellbinding transformation, and that awe-inspiring British Vogue cover. Head over to Forces of Fashion for more information about how to listen in on their conversation and the other speakers—John Galliano, Demna Gvasalia, and Marc Jacobs to name a few—on the lineup. Product detail for this product: Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check Vist our store at: https://friendst-shirt.com This product belong to nhat-tuan
See more: https://birthstonedeals.info/best-husband-since-1990-vintage-t-shirt/
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